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Mike Flanagan has, of late, distinguished himself as considered one of Netflix’s signature creators and as a generational determine within the horror style; although his previous sequence for the streamer, together with “Midnight Mass” and “The Haunting of Hill Home,” have been of varied high quality general and from episode to episode, they’re constantly attention-grabbing. His willingness to interact concepts along with his scares units him aside, maybe greater than it ought to.
So it’s with “The Midnight Membership,” which Flanagan and Leah Fong co-created primarily based on the work of YA novelist Christopher Pike. Right here, Iman Benson performs Ilonka, a college-bound highschool salutatorian who receives a prognosis of terminal most cancers. Ilonka is each a star pupil and an idealist; she researches Brightcliffe, a facility to which her foster father can take her to be positioned into hospice, and holds in reserve a secret hope that there’ll, there, be a miracle remedy for her. What she finds, first, is a circle of sick teenagers who collect when the clock strikes twelve to share scary tales; it’s a mordant nihilism they share, and a way of indulgent pleasure within the data that issues may very well be worse: They may very well be combating towards cosmic forces of evil.
That strains start to blur, with jump-scares making the hospice appear to be a portal to extra than simply teen creativeness, ought to come as no shock. However say this a lot: The tales are well-told, conjuring an actual sense of dread that each exists exterior to those younger individuals’s plights and, inevitably, nestled up alongside them. Ilonka’s combination of willfully blind hope and real concern is a tricky factor to seize, however Benson excels; different standouts within the forged embrace Ruth Codd as an Irish immigrant with a prickly exterior masking over vulnerabilities and Chris Sumpter as an HIV-positive teen pressured to confront his mother and father.
The combo of non-public tales among the many teenagers has the facility to resonate with anybody, however one suspects this present will discover its most attentive viewers amongst high-schoolers with stiff constitutions and powerful nerves. Much more than “Stranger Issues,” it operates with a kind of teenage emotional logic, with characters and the present itself thrumming with the fervour to talk out and be understood on their very own phrases. (And, extra so than on “Stranger Issues,” adults are a glancing and occasional presence, with Heather Langenkamp and Zach Gilford taking part in, respectively, the founding physician and the nurse practitioner of the hospice.)
However even this grownup admired “The Midnight Membership” as a comparatively full instance of the most effective of Flanagan’s method all through his Netflix work — utilizing horror as a technique to probe the worst issues which may occur to someone, arriving at a spot of curiosity and compassion about grief and loss. That, right here, the grief and loss is for the characters’ personal futures calls for a delicacy that Flanagan and Fong possess; it additionally calls for to be matched by a horror appropriately outsized and scary, and so they ship that, too.
“The Midnight Membership” premieres on Netflix on Friday, October 7.
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