Swathi Muthyam Film Assessment: Situational comedy cannot save this superficial household entertainer

Run-Time: 124 Minutes

First issues first. It’s no secret that ‘Swathi Muthyam’ has obtained the plot level of surrogacy resulting in a battle at its centre. Bala Murali (debutant Ganesh Bellamkonda) turns into a sufferer of unexpected circumstances due to what he did a few years in the past. When you have seen the trailer and adopted the makers’ phrases regarding the sperm donation factor, you may simply see the interval plot flip coming from miles away: Bala’s wedding ceremony with Bhagya Lakshmi (Varsha Bollamma) will get shelved. 

Debutant filmmaker Lakshman Okay Krishna depends excessively on the facility of situational comedy relatively than drama. His artistic selections work when the lens is targeted on the elders. This movie understands the psychological and behavior of middle-aged males displaying a way of entitlement and anger greater than unsuspecting kids caught in a bind. By the point the movie is over, you’ll keep in mind the reactions of Bala’s father (performed by the ever-so-effortless Rao Ramesh) greater than the ache undergone by Bhagya Lakshmi, probably the most affected individual. 

Not intimate, however plastic

This brings us to how the screenplay treats the bonding between the lead couple. The bonding between Bala and Bhagya would not really feel private; relatively, it feels plastic. 

Outdated-school considering robs Bhagya of a definite character. Within the olden days, filmmakers used to resolve points by writing preferrred feminine characters. You do not see the feminine lead as typically as you need to within the second half of ‘Swathi Muthyam’. It’s as if the director felt she has no goal past displaying her large-heartedness. There aren’t any close-up pictures of a key character (no, it isn’t Divya Sreepada). 

Dated narration

This movie is old style in one other basic method. There comes some extent when Bala has to admit to one thing within the presence of tons of of individuals. Bala is requested a ‘Sure’ or ‘No’ query. After he says ‘Sure’, the battle worsens as a result of no person else desires to hearken to him anymore. All people simply walks away mournfully. That is how melodramatic crybaby-friendly household dramas used to stage scenes within the olden days. This isn’t how issues pan out in actual life. 

Character artists get it proper

Amidst a sea of handy plot turns, Goparaju Ramana retains the viewers engaged along with his quirks. Rao Ramesh, regardless of his predictable reactions, continues to be praiseworthy. Subbaraju, who performs a 40-year-old bachelor, is enjoyable to observe; the ‘Baahubali’ actor has a lot calibre in him to enliven situational comedies. Vennela Kishore, as an RMP physician, had a lot potential however his character is underwritten. 

Debutant Ganesh will get to play a uni-dimensional character; the writing fails him. Varsha will get a montage music that mirrors her way of thinking. Mahati Swara Sagar’s music is respectable. 

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Try the trailer of movie under: