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CANNES — Happening within the Grand Auditorium in Cannes, the group that arrived to cheerlead winners at Mipcom’s Cannes TV Diversify Awards, was compact however buoyant as winners took to the stage.
Among the TV business’s solely awards to have fun variety and inclusion, a document 190 submissions have been acquired this 12 months from 27 international locations.
Hosted by the worldwide anchor and variety advocate, Femi Oke, the Awards noticed 10 winners introduced on Wednesday evening with many current to obtain awards. Canada proved the largest prize winners, accounting for 3 awards.
“All of the winners as we speak have been recognised not solely by their friends, however by specialists and advocacy teams within the variety and inclusion space, a unprecedented and significant accolade that additionally stands for instance of what’s attainable in TV,” mentioned Lucy Smith, director of Mipcom Cannes and MipJunior.
For the class Illustration of Race and Ethnicity (Scripted), the award went to “Pour toi Flora,” in regards to the trauma of a brother and sister separated from their dad and mom. Broadcast by Radio-Canada, the title is distributed by Attraction Distribution and produced by Nish Media.
The prize for Illustration of Race and Ethnicity (Non-Scripted) was nabbed by the Chemical Media-produced “Our African Roots.” Broadcast by SBS Australia and offered by Abacus Media Rights, the documentary sees African Australian author-journalist Santilla Chingaipe exploring Australia’s ignored Black African historical past.
CBC/HBO Max sitcom “Type Of,” which walked off with the LGBTQIA+ (Scripted) trophy, sees a gender fluid Millennial juggling a number of identities, from sizzling bartender at an LGBTQ bar to deliver the youngest in a big Pakistani household. Sphere Media Toronto (previously Sienna Movies) produces.
“L.A. (A Queer Historical past),” in regards to the homosexual civil rights motion in L.A, snagged LGBTQIA+ (Non-Scripted). It’s produced by L.A. Queer Historical past Inc x 4Mat Manufacturing facility.
Incapacity (Scripted) Award went to “Distinctive,” which was produced by Eight Productions. Within the sequence, vlogger Maya turns into the presenter of a trend model, and prepares her excellent summer season. All that modifications when she is pressured to chaperone her autistic sister.
Illustration of Incapacity (Non-Scripted) went to “Ellie Simmonds: A World With out Dwarfism.” It’s produced by Flicker Productions. Educating children anti-racism, the Range in Youngsters Programming (Pre-College) Award was nabbed by CBC’s “Proud To Be Me,” a enjoyable particular hosted by a goofy puppet unicorn and two human presenters. “Race is a crucial a part of who we’re, nevertheless it’s not the one factor that makes us us,” says one.
Illustration of Range in Youngsters Programming (Older Youngsters) went to the BBC’s “Jamie Johnson,” episode 8 of the sixth season of “The Proper Factor,” a few children soccer crew. It’s produced by Quick Type Movie.
Launched this 12 months by MipCancun, the Latin American sister occasion to Mipcom, Premio MipCancun, went to “As a result of Victoria,” from Paramount+ worldwide studio VIS and Daniel Burman’s Oficina Burman, which screened on Amazon’s Prime Video.
The brand new Behind The Scenes Influence Award was offered to FWD-Doc, a global collective of various capacitated filmmakers. It advocates to extend the visibility of, assist for, and direct entry to alternatives, community and employment for D/deaf, disabled and neurodiverse filmmakers.
Co-founder Lindsey Dryden put ahead three forceful arguments for its trigger. “We’re good storytellers and collaborators. Our members signify the 1 billion disabled folks all over the world with $13 trillion in disposable revenue.”
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