Compañía de Cine Snags Gross sales, First Co-Professional Credit score ‘The Method You See Me’

Buenos Aires-based Compañía de Cine (“Lemebel”) has secured world gross sales rights for director M Sin Título’s absorbing queer documentary “The Method You See Me” (“Como Tú Me Ves”). A standout arthouse distribution outfit, the corporate may even step-in to co-produce the enterprise alongside auteur-focused friends Paula Zyngierman at Maravilla Cine (“Amando A Martha”) and Mexico’s Ojo de Vaca (“Say Goodbye”), increasing the depth of their choices.

“‘ ’The Method You See Me’ got here to us in a really natural approach, at a time once we felt like getting concerned from a extra energetic place in creation,” Paulina Portela, managing director at Compañia de Cine, informed Selection. “The movie appeared pertinent, coherent and needed.” 

The acquisition comes forward of the movie’s Punto Genero pitch to trade leaders at Argentina’s premiere audiovisual  market, Ventana Sur, which unspools Nov 28-Dec 2.

A documentary that seeks to demystify gender’s tight grasp on society, the delicately uncooked movie “reveals the artifice that exists to mould us into one gender or one other. Above all, the inquisitive social surveillance in place to protect them,” M relayed. 

The narrative displays on a profound journey, drawing out conversations surrounding gender-affirming care and the societal pressures that encourage some to stay in a physique that by no means felt like their very own.

Now in manufacturing, the challenge marks the primary feature-length movie for the director. A multidisciplinary artist whose prior work explores the boundaries of the physique, gender and identification, M’s artwork has graced the Cultural Heart of Spain, Salón Silicón, U Tópicas Galería and Loot Gallery Mx.

Compañía de Cine represents arresting social justice documentaries “The Silence Of Others” and SanFic buzz title, “Punto De Encuentro.” Champions of impartial cinema, the corporate seeks to spice up marginalized voices and promote movies that talk to points oft-neglected by mainstream platforms.

“We wished to accompany Eme on this very private, intimate and dedicated journey, Portela said. “At all times with an eye fixed on its worldwide distribution, which we contemplate very important for this kind of cinema that wants better visibility and illustration on the competition circuit.”